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Creating the Centerpiece Statues

During the spring of 2002, Shaheen worked in the studio of local artist Giorgio Atzori, where he created two, larger than life-size models in plastiline—a non-drying, oil-based clay. Atzori cast the pieces in plaster, a more durable material, and they were mounted on wooden platforms so that they could be transported and used outdoors.

On May 11, 2002, Stephen Shaheen and hundreds of local community members watched as surviving family members ceremoniously removed the first chunks of stone from the marble blocks.


View of the newly delivered
marble blocks

 

Brad Smith, who lost his
father Karl, removes the first bits
of stone from the blocks
 

A young boy carves onto the blocks

Joanne Betterly removes stone in
honor of her husband.

From the beginning of June until late July, Shaheen and two master Tuscan stone carvers — Marcello Sennati and Ampelio Rinaldi, (his teachers from Italy) —realized the marble sculptures using the models Shaheen had created, which were in-scale to exactly ˝ size. Thousands of passerby’s had the opportunity to witness the sculpting in action, and some even had the chance to try their hand at it. On Monday, July 22, the four blocks were mounted, and finishing work was done in the following days.
 


Artist Stephen Shaheen working on the first clay model
 


A view of the second
clay model
 

Giorgio Atzori casts a
model in plaster

Stephen Shaheen adjusts
the plaster male figure

Measuring the plaster model

The artisans begin the measuring
and carving process
 

Marcello, Ampelio and Stephen carving

Measuring and carving
 

Ampelio and Marcello making fine
adjustments on the female figure
 

Stephen making adjustments on
the first statue’s arm

Marcello and a surviving family member
open the second plaster model
 

Mounting two blocks

Image of female figure

Image of male figure
 

Image of both statues

Continue to Engraving the Victim's Names »
 

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